...there's both eatin' and drinkin' in it

Month: October 2011 (Page 2 of 3)

Spud Sunday: World Spud Day

Sadly, folks, I have to break it to you that it’s not actually World Spud Day (epic and all as such a thing would be).

What I can tell you, however, is that today is World Food Day, a day for focusing attention on the sombre matter of people not having enough to eat. Not the cheeriest of topics, I’ll grant you, but not one to be ignored easily either.

Now, would that I could blithely say that spuds were the answer to world hunger but, even though you can feed more people more easily from an acre of potatoes than you can, say, from an acre of wheat, and historically, potatoes have been a great sustainer of the poor, the issues surrounding global food insecurity are damnably complex.

The core of the problem can be stated plainly enough, however. For all sorts of reasons, from increasing oil prices to climate change, food prices have been on the rise and people are spending more and more of their incomes on simply trying to feed themselves. The Global Hunger Index (see the interactive map below, from the International Food Policy Research Institute) identifies the areas where the hunger levels are most severe, many of them in sub-Saharan Africa.

While the issues may be many and difficult, however, that’s not to say that the potato, one of the world’s major staple food crops, doesn’t have a role to play. The UN International Year of the Potato in 2008 was all about spotlighting the role that the potato can play in providing food security and eradicating poverty. Perhaps regarding today as World Spud Day wouldn’t be such an outrageous notion after all.

The Emperor’s New Omelette Challenge

It is my habit of late to conduct Saturday mornings at home to the tune of BBC’s Saturday Kitchen.

Frying pan

This is an hour and a half of television programming which, each week, features cooking by two guest chefs and by host, James Martin, interspersed with archive footage from assorted other BBC food programs. A celebrity guest is on hand throughout the show to chat to and to cook for.

When Saturday morning rolls around, I’ll fire up the television and keep an ear on proceedings while I make coffee and whatever else takes my weekend morning fancy. Inevitably, my interest in the show varies, depending on the guests (cheffy and otherwise), on the dishes being cooked and on the archive clips that are shown (I have a definite fondness for the old Keith Floyd pieces which have been featuring lately).

Two frying pans

I made a particular point of tuning in last Saturday, as the line up included Thomas Keller, founder of not one, but two 3 Michelin-starred establishments, The French Laundry in Napa Valley and Per Se in New York, and considered to be one of the finest chefs in the world. He’s not given to making television appearances, and you could tell that there was a mixture of excitement and nerves at having him in the studio on the part of both James Martin and Tom Kitchin, the other guest chef and no stranger to Michelin stardom himself.

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Spud Sunday: The Why Of Cookbooks

So why, exactly, do we buy cookbooks?

The simplistic answer, of course, is that we buy them for the recipes, but in reality, it’s almost never that simple.

We may buy a cookbook because we’ve seen the corresponding series on TV. We may have come to like or, even better, to trust the chef-author based on past cookbooks, through a blog or by way of an associated food business. We may want to try our hand at a particular cuisine or we may want to learn the basics. We may be dedicated followers of foodie fashion or we may just like the pictures, and there’s no doubt but that good photography and styling helps to sell.

Increasingly, photography in cookbooks is used, not only to show what the food should, in theory, look like but also to convey a representation of the lifestyle associated with eating that food. Whether we are subsequently disappointed when our dishes (or our lifestyle) do not turn out “like in the pictures” is another matter entirely. And while it can be helpful to see what a dish may look like at the end of our endeavours, some of my most trusted and well-used cookbooks (take a bow, Madhur Jaffrey) have little in the way of glossy pictures and are no less loved by me for that.

In the end, while the pictures are nice, it is the words that count. My favourite cookbooks are the ones that are worth reading not just for the recipes. Give me Elizabeth David’s English Bread and Yeast Cookery and an armchair and I will curl up happily. Nigella Lawson and Nigel Slater I like as much for their writing as for the style of their recipes. It’s important too, though, that the recipes work.

Pieminister

The Pieminister Cookbook

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